“The International” film where everyone pays… Except khazar bankers… who get paid

It’s very hard to find “truthers” in this age who are unaware of the global pernicious influence of the International Bankers over economy, governments, technological surveillance infrastructure, “higher education” institutions, politicians, commerce, diplomacy, culture, and by extension, media, social networks, revolutionary movements, grassroots organizations, etc. Fiat money is the primary vehicle enabling the Khazar “jewish” “moneychangers” at the top of the pyramid. Given the illusory “power” of fiat money, the entire structure of the vast conspiracy is completely destructible overnight.

This is why it is so curious that we now have a Hollywood movie with tens of millions of dollars behind it unveiling the conspiracy coming to cinema near you. Here is the theatrical summary of a new movie about an out of control bank:

The International (Film)

Here’s the official site for the movie: The International

Check out the trailer:

Sounds pretty accurate to me. Let’s review some quotes from that brief trailer:

“Anyone who has ever been in a position to move against this bank has either ended up dead or disappeared”

Translation: WHO THE HELL DO YOU THINK YOU ARE? Shut yo dumbass up and keep eating that salty-ass popcorn, you ain’t stoppin’ it fool.

“You are accusing the world’s largest bank of conspiracy and murder… But there is no evidence.”

Translation: Listen you lunatic. It’s a ridiculous assertion you’re making and since no one with any credibility lends you support, you’re wrong.

“They control everything”

Translation: You insignificant turd of existence! You can be dealt with before your next heartbeat. Sit yo monkey ass down.

“You will HAVE to go OUTSIDE the system of JUSTICE”

Translation: Because the evil is so ensconced and entrenched you can’t use legitimate means to fight this and you must stoop to their level and means to justify the ends.

Here’s a more detailed summation on the theme and plot of The International

In The International, an edge-of-your-seat action thriller, Interpol Agent Louis Salinger (Clive Owen) and Manhattan Assistant District Attorney Eleanor Whitman (Naomi Watts) are determined to bring to justice one of the world’s most powerful banks. Uncovering illegal activities including money laundering, arms trading, and the destabilization of governments, Salinger and Whitman’s investigation takes them from Berlin to Milan to New York and to Istanbul. Finding themselves in a high-stakes chase across the globe, their relentless tenacity puts their own lives at risk as the bank will stop at nothing - even murder - to continue financing terror and war.

So is Hollywood gonna save us? Not quite. Not yet, at least. To me this is another glaring example of the fictionalizing and singularizing of demonstrable, yet unpopular, facts, which are vibrating in the collective subconscious bubbling with the potential for violent upheaval. The externalizing, and thus, trivializing of powerful memes into fantasy and entertainment via gripping tales widely consumed by the general public sufficiently relegates conspiracy lore to the irrelevant and unreal.

Using individual, heroic characters and very specific stories wherein the “bad” always “lose”, its possible “they” are trying to tranquilize the ideas gaining momentum which may culminate in some, uncontrollable, inevitable rebellion. Hide the truth in plain sight? “How could banks be running the world Khan, Hollywood just made a movie about it! Jeeez!”

Word.

To be fair, there was no “jewish” name prominently connected with “The International.” The screenwriter, Eric Singer, is thoroughly trumped by searches for Eric Singer, the former KISS musician. The bio of German director, Tom Tykwer, who made Run Lola Run, is similarly uneventful besides his gay evangelist friend Rosa von Praunheim and Dani Levi, co-founding 1/4th partner with Tykwer in the production company, “X Filme Creative Pool.”

The two stars of the film, Clive Owen and Naomi Watts are gentiles. Not that I’ve devolved to the level of my former associates where “jewish=evidence of guilt” but even from that perspective there really is no major khazar player in the creation of the film.

Am I looking too far into this? Maybe it’s just a movie, no. Isn’t that possible? Khanventional wisdom certainly dictates as much.

Cuz on the real, A BANK as the main villian behind “money-laundering”, “terror”, “arms dealing” and “war” is actually the most likely candidate if art imitates life. As usual, I have no clue whatsoever.

What do you think?

Is it time for this to go mainstream like it was “time” for a black president?

Do we revel in this “victory” despite the terms being dictated to us because of sentimental importance on “getting the message out there”? You tell me!

-Khanverse